Windows in Lockdown
- Project Holders: Marta Severo, Sarah Gensburger
- Research projects
- 2020 - 2021
- Partners: Dicen et Labex ICCA
- Contact: Marta Severo
- https://vitrinesenconfinement.huma-num.fr/
- Authority, Cooperation, Editorialization, Heritage
In April 2020, via social networks and a collaborative platform, Sara Gensburger and Marta Severo launched the collaborative challenge “Our windows speak in the time of lockdown”, #VitrinesInConfinement / #VetrineInQuarantena / #WindowsInLockdown, in three languages. The goal was to collect the words of the lockdown period in the public space. Anyone was invited to share photographs of the messages posted on windows, streets or balconies, thanks to the digital devices dedicated to the challenge. This project, born at first as a way to federate friends and more generally citizens around a common mission during the short authorized outings, allowed to build a textual and visual corpus constituted by more than 4 000 photos taken in France, but also abroad.
Key Concepts
Numérique, Participation, Plateformes, Méthodes qualitatives, Médias sociaux, Patrimoine, Mémoire
Studied medias
Windows in lockdown
Type of delivrables
Participatory platform, OMEKA database, articles and scientific communications
Methodology
The functioning of the challenge “Windows in lockdown” was very simple. During the short authorized outings, in France, Italy and elsewhere, everyone was asked to take close-up and landscape photographs of the messages posted by shopkeepers in their windows, by passers-by on city walls or by residents on their balconies. Then, these photos had to be published on one of the digital spaces of expression proposed to the participants: on the Facebook groups “Vitrines en confinement – Vetrine in quarantena” or “Windows in lockdown”; on Twitter using the hashtag #vitrinesenconfinement; on Instagram with the same hashtag and on a collaborative mapping platform. This multiplicity of spaces was thought to offer each person wishing to participate a place where they could be comfortable. Moreover, the use of social media had the objective of creating a community around the challenge by facilitating the construction of social ties and a competitive spirit.
Each time, in addition to the photograph, the contributor had to specify: the date the photograph was taken, the complete address, the nature of the place (business / non-commercial public place / private window / graffiti), the activity usually carried out in this place (café, sport …) and if possible, the transcription of the text of the poster. In this way each image was enriched with a series of temporal, spatial and typological metadata which were to be added to the information concerning the contributor whose name identity, and thus gender, is generally known.
Expected results
The challenge was closed after one year, even if the Facebook group still exists and, for the French-speaking contributors alone, counts more than 1 300 members. The project was an unexpected success with more than 4 000 images. These photographs have since given rise to an exhibition open to all on a platform based on Omeka. They can be consulted through a cartographic interface or by keyword at https://vitrinesenconfinement.huma-num.fr. Online exhibitions are also available on the site to facilitate navigation.
The material constituted by these thousands of photographs and all the metadata that accompany them can now be processed in many ways. This collection has made it possible to build a photographic memory of the neighborhoods during the confinement. This information has given rise to scientific analyses while the photographs constitute a photographic fund are preserved and are part of a heritage.
Key dates
• April 2020: Launch of the call and collection
• April-November 2020: Animation on social media
• January 2021: Omeka valorisation platform
• March-June 2021: Data analysis
• January-December 2022: Publication of research results